Skip to content

Menu

Alexandra Paredes

portfolio
about
contact

Close Menu

Hi. I’m an artist, designer, and writer based in Manila.

Select Work

Uncategorized
Storybooks
Products
Illustration
Identity
Icons
Exhibition Materials
Editorial
Data Viz
Book Design
Artwork
All

ti-thumb1-r

Fight For Alternatives

weddinginvite-thumb-r

Wedding Invites

vb-thumb3-r

Sa kabila ng tabing lamang sa panahong ito

sawfish-thumb-r

Sawfishes in the Philippines

hotc-thumb-r

Habitats of the Coast

pcij-re-rhumb

Why green energy can’t gain ground in the Philippines

dv-thumb-r

Data Visualization

cbos-thumb-r

Cast But One Shadow: Afro-Southeast Asian Affinities

jf-thumb-r

Garden Blooms

seagrass-thumb2-r

Vola, Ravo, and Tiana Discover the Seagrass

nmp-thumb4-r

Nieta Meal Planner

soa11-r

Soa The Great Hammerhead Shark

dca-thumb-r

Digital Sex Crimes in Asia

rain-thumb2-r

Rainforestation

pd-thumb-r

A will for prolific disclosures: a zine

ata-thumb-r

20 Questions on the Anti-Terror Act

mst-thumb6-r

Monie The Green Sea Turtle

fia-thumb-r

Global Protest to Fight Inequality

print-thumb-r

Relief Printmaking

gantala-thumb3-r

Magbunyi! Komiks

iwd-thumb-r

International Women’s Day 2020

pr-thumb-r

The Old Man, the Jail Aide, and the Convict

thumb-tractions-e-r

Quarantine Questions

as-thumb-r

Aman Sinaya Films

thumb-ccp-1

Cultural Cache: Selected Works From The Visual Arts Collection of The Cultural Center of the Philippines

apc-thumb-r

Acclamation Point Corporation Identity

prm-thumb-r

Monitoring Road Projects Poster

stc-thumb-r

Tay Klehew i Smalaf

bc-thumb2-r

Book Covers

dgo-thumb-r

UP Diliman Gender Office Icons

bdm-thumb-r

Bajo de Masinloc

hrp-thumb-r

Rights Posters

cwgs-thumb-r

Gender Sensitivity Training Manual

rd-thumb-r

Rubber Ducky Stamp Co

pb-thumb-r

Jess Paredes, Jr.

clock2-r

Deadlines, 1PM – 12MN

sd-thumb-r

Street Dogs of Manila

Updates

April cat paintings: 1. @figgypuddin_ 😻🖤🤍 2. @thej

April cat paintings: 1. @figgypuddin_ 😻🖤🤍 2. @thejinjuespino 😻🧡🤍

The official brochure of “Sa kabila ng tabing lama

The official brochure of “Sa kabila ng tabing lamang sa panahong ito / Waiting just behind the curtain of this age” (2024). We wanted the brochure itself to demonstrate the visual layering established by the exhibition identity. The photos ground the layout, showing a glimpse of the surfaces and materials of the artworks. Presented by the Philippine Pavilion at the 60th Venice Art Biennale, featuring the work of @mark_salvatus and curated by @carlosquijonjr.

Also I made a slug!

Also I made a slug!

Medusa 2026 Played around with air-dry(??) clay a

Quokka the Photobomber Enjoys Baguio (2024) Quokk

Quokka the Photobomber Enjoys Baguio (2024) Quokka, our most enthusiastic friend, came to us by way of a gachapon. "Photobomber Animals," it said. Freed from his plastic pod, he resolved to meet everything with wonder. Though we think it was less of a decision and more of A Vibe. His only request was to be included in pictures, which we're happy to provide. He's been delighting in the world ever since.

An illustration commissioned by @fightinequality f

An illustration commissioned by @fightinequality for the Fight for Alternatives Global Assembly, Sept 2024. By lifting each other up and meeting each other where we stand, we join forces to fight inequality. Mobile wallpaper in my Stories/Highlights ✨ 📱

Can't believe this is from 2023. That's how far my

Can't believe this is from 2023. That's how far my post backlog goes 💀 Exhibition identity for 𝙖𝙣𝙙 𝙡𝙖𝙣𝙙 𝙚𝙧𝙤𝙙𝙚𝙨 𝙞𝙣𝙩𝙤 at @calle.wright featuring the artworks of Nice Buenaventura and Fyerool Darma. It was the first edition of Archipelagic Futurisms, a curatorial project by @carlosquijonjr.

A marker for a surreal moment. It so happens that

A marker for a surreal moment. It so happens that two major exhibitions I worked on in my design practice are on view at the National Museum at the exact same time. (Please visit!) Incidentally, I share this honor with @jobideasis. If you told me fifteen years ago that I'd have work on display at the National Museum--and the Venice Biennale--I wouldn't have believed it. A life in graphic design and art has led me this far. Where to next? 1st slide 📸 @xalwynx, 8th slide 📸 @_jaspergomez

Follow on Instagram

Alexandra Paredes © 2025