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Alexandra Paredes

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Hi. I’m an artist and graphic designer based in Manila.

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Fight For Alternatives

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Wedding Invites

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Sa kabila ng tabing lamang sa panahong ito

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Sawfishes in the Philippines

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Habitats of the Coast

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Why green energy can’t gain ground in the Philippines

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Cast But One Shadow: Afro-Southeast Asian Affinities

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Garden Blooms

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Vola, Ravo, and Tiana Discover the Seagrass

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Nieta Meal Planner

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Soa The Great Hammerhead Shark

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Digital Sex Crimes in Asia

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Rainforestation

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A will for prolific disclosures: a zine

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20 Questions on the Anti-Terror Act

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Monie The Green Sea Turtle

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Global Protest to Fight Inequality

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Relief Printmaking

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Magbunyi! Komiks

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Data Visualization

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International Women’s Day 2020

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The Old Man, the Jail Aide, and the Convict

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Quarantine Questions

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Aman Sinaya Films

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Cultural Cache: Selected Works From The Visual Arts Collection of The Cultural Center of the Philippines

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Acclamation Point Corporation Identity

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Monitoring Road Projects Poster

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Tay Klehew i Smalaf

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Book Covers

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UP Diliman Gender Office Icons

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Bajo de Masinloc

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Rights Posters

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Gender Sensitivity Training Manual

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Rubber Ducky Stamp Co

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Jess Paredes, Jr.

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Deadlines, 1PM – 12MN

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Street Dogs of Manila

Updates

April cat paintings: 1. @figgypuddin_ 😻🖤🤍 2. @thej

April cat paintings: 1. @figgypuddin_ 😻🖤🤍 2. @thejinjuespino 😻🧡🤍

The official brochure of “Sa kabila ng tabing lama

The official brochure of “Sa kabila ng tabing lamang sa panahong ito / Waiting just behind the curtain of this age” (2024). We wanted the brochure itself to demonstrate the visual layering established by the exhibition identity. The photos ground the layout, showing a glimpse of the surfaces and materials of the artworks. Presented by the Philippine Pavilion at the 60th Venice Art Biennale, featuring the work of @mark_salvatus and curated by @carlosquijonjr.

Also I made a slug!

Also I made a slug!

Medusa 2026 Played around with air-dry(??) clay a

Quokka the Photobomber Enjoys Baguio (2024) Quokk

Quokka the Photobomber Enjoys Baguio (2024) Quokka, our most enthusiastic friend, came to us by way of a gachapon. "Photobomber Animals," it said. Freed from his plastic pod, he resolved to meet everything with wonder. Though we think it was less of a decision and more of A Vibe. His only request was to be included in pictures, which we're happy to provide. He's been delighting in the world ever since.

An illustration commissioned by @fightinequality f

An illustration commissioned by @fightinequality for the Fight for Alternatives Global Assembly, Sept 2024. By lifting each other up and meeting each other where we stand, we join forces to fight inequality. Mobile wallpaper in my Stories/Highlights ✨ 📱

Can't believe this is from 2023. That's how far my

Can't believe this is from 2023. That's how far my post backlog goes 💀 Exhibition identity for 𝙖𝙣𝙙 𝙡𝙖𝙣𝙙 𝙚𝙧𝙤𝙙𝙚𝙨 𝙞𝙣𝙩𝙤 at @calle.wright featuring the artworks of Nice Buenaventura and Fyerool Darma. It was the first edition of Archipelagic Futurisms, a curatorial project by @carlosquijonjr.

A marker for a surreal moment. It so happens that

A marker for a surreal moment. It so happens that two major exhibitions I worked on in my design practice are on view at the National Museum at the exact same time. (Please visit!) Incidentally, I share this honor with @jobideasis. If you told me fifteen years ago that I'd have work on display at the National Museum--and the Venice Biennale--I wouldn't have believed it. A life in graphic design and art has led me this far. Where to next? 1st slide 📸 @xalwynx, 8th slide 📸 @_jaspergomez

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Alexandra Paredes © 2025